There is a very controversial topic on the Internet. It’s in fact so controversial that I almost don’t dare post about it. It’s that thing about pyro developers and the dye image (‘stain’) they produce. This is seen as a desirable trait, as it apparently helps to mask film grain, and it adds substantial UV density, which is great for processes like carbon printing. Now, the question is – is it OK to use an acid stop and fixer with a staining pyro developer, or will this obliterate this precious dye image? Come in and find out!Continue reading “To stain, or not to stain – Acid and pyro developers”
Yesterday I made some prints. Small ones. Firstly, because I like small prints. Secondly, I had made tissue last week and wanted to try it out. Thirdly, I had these negatives sitting here and they weren’t particularly suited for what they were intended to do, so I gave it a shot with carbon transfer. When life gives you lemons, eh? Well, this lemon here I grew all by myself!Continue reading “Some small prints and a note on Fomapan 200”
Warning: again a total lack of originality on my part. The upshot is that apparently I don’t suffer too badly from the not invented here syndrome because I proudly
stole reproduced this idea from Tim Layton whom in turn was inspired by Phil Davis and his “Beyond The Zone System” approach. The whole idea is essentially just a hollow tube with two end caps in which you put a single sheet of film, fill ‘er up with developer and agitate in whichever way you fancy. This could be a fancy water bath agitator like in the official BTZS approach, or, as in my case, simply turning the tube over and over like a regular daylight tank, or rolling it on a counter top.