Peaks or plateaus – Light sources for DSLR scanning color negatives

Many people like to shoot film, but enjoy their images in the digital domain and the possibilities it warrants for post-processing, printing, etc. This means that the film images need to be scanned, and using a DSLR to do this has become very popular in recent years. But it does bring up some questions – mainly: what’s the best way to do this? And in particular, if you photograph a backlit negative, what kind of backlight would be preferable? I’m going to reflect on this for a bit on a theoretical basis.

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Balancing act – A brief look at ECN2 vs. C41 colors

When ‘Cinestill’ film came around, I just had to try it – although I have mostly used the original Kodak Vision3 stock instead of the remjet-less Cinestill variants. Frankly, I didn’t get along with it, and I’ve been quite vocal about it on the forums, too. But a couple of years after my initial bout of experimentation, I felt it was time for a re-assessment. Here’s a brief reflection on color balance of Kodak Vision3 250D film. After all, color balance is perhaps the most pressing matter when it comes to using Vision3 films for still photography.

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Composition target practice

Despite all the technical stuff I write on this blog, my interest remains mostly in photography, and by extension, printing. I don’t often show what I make, but I’m going to try to break that pattern. This entry will be about composition – a subject that’s evidently important, but I admit having difficulty dealing with it much of the time. Practice hopefully helps, at least in part.

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Potato, potato – Making an old Sigma lens work on every Canon EOS body

Right, the “potato, potato” thing probably doesn’t work that well in writing, but you get the point. Or at least, you soon will. I got my hands on an old Sigma ‘Super Wide’ 24/2.8 a couple of weeks ago. I came across it and just couldn’t resist; a wide-angle prime is a convenient thing to have, after all. Upon receiving it, I immediately tried it out and…it didn’t work properly. Drat. Well, it did on my old Canon EOS 50e, but it didn’t work on an EOS 7D or an EOS 30. Turns out it’s a well known-compatibility issue. Turns out also that, guess what? It can be fixed!

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